(Why Not) Study in Rome?

•December 9, 2011 • Leave a Comment

Trick question.

view of the Palatine hill overlooking the Roman Forum

There is no city like Rome in the world– don’t get me started- that offers so much to so many disciplines spanning so many time periods, during which the city was either capital of an empire or center of a major religion. In both cases, both “empires” that form layer upon city to constitute the city’s rich fabric influenced western civilization is so many ways.  What was left behind, from ancient (Testaccio) and medieval garbage dumps (e.g. Montecitorio) to hulking ruinous palatial structures that encompass the entirety of the Palatine hill, in turn covered by Renaissance gardens and vineyards, is a testament to the greatness of Rome.

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Today, beyond the classics and study of the history of art and architecture, what does Rome offer? Plenty- a veritable feast for the eyes of the student of graphic design, media/ communications, journalism (travel, politics, culture), studio art, architecture-landscape-urban design, religious studies, anthropology, geology/ volcanology (think about it, the hills of Rome are the accumulation of ash dumped by volcanic eruptions of times past).  Students that study in Rome  at the American Institute for Roman Culture do not just confront collections and see the sites but also, thanks for AIRC’s vast and varied connections and relationships with city and national authorities (e.g. Ministry of Culture, superintendencies) entry into a world of one-of-a-kind experiences, meeting with experts, seeing their projects, and participating.   That is what we do best; that is why I am here.  A quick example is filming history– a fantastic way to engage culture. Another is writing about Rome, but only after gaining access to a site being inaugurated or speaking with some of the top Italian and foreign journalists that reside here.  That’s the difference, not to mention our ongoing AIRC excavation, conservation project, annual conference in cultural heritage, and video production, all of which create a web of related experiences for students in love with Rome, Italian culture, and engaging the past in the contemporary city.

The list goes on.  What we’ve done in our new programs at the American Institute for Roman Culture is promote and foster experiences in Rome’s rich heritage culture that allow study abroad students dig deeper– engaging the past for their own contemporary endeavors.  In colloquial Latinfilm, journalism, ancient Rome and its art and architecture, or for those with advanced background in classics, pushing the limits on a more in-depth level.  Or even allowing you to roll up your sleeves and excavate with us at Ostia Antica (with limited intervention trenches)- a unique experience, in and of itself, to which we marry a related conservation project at Ostia. (For the project, just see this teaser video.)  Talk about a full circle sustainability project. If archaeology is destruction of the archaeological record (thoroughly documented, of course), what more fulfilling experience for archaeology students than have them finish the season with completing a conservation project for the improvement of Ostia!  And don’t take my word for it; our programs director sums it up best here.

Filming the past: conservation matters

•November 28, 2011 • Leave a Comment

What role does video have in cultural heritage preservation?  Quite a lot, I’d have to say.   One thing to keep in mind is that video is a pretty cheap medium (e.g., HD video cameras and a tripod).  So, to get more bang for your buck, a video can say a lot about your heritage project and reach a wider audience than just an academic paper or presentation.  If a picture is worth a 1000 words, what is a good video worth?  Quite a bit more.  You can gain access into the trenches (literally) and explore the ins and outs with the directors, who are contextualizing the issues at hand, finds discovered, and providing a view firsthand of the conservation issues.  This is not just reaching the individual but the mass audience interested in cultural heritage, and it’s that large audience that will have a great impact on the eventual preservation of the site.  And the video is not meant to replace the great scientific work conducted but to enhance it and garner more interest and support in the given project.  Cultural heritage is meant to be seen and experienced, not so easily conveyed with words and photos. (Just see our recent videos for FastiONLINE. )

I was pleased to present on November 26  “Podcasting culture: the role of video in heritage preservation” with my AIRC colleague Alberto Prieto at the recent AUR and BSR-hosted conference “Our Future’s Past“,  a conservation/ cultural heritage conference in Rome, a 3-day conference in Rome.  Among others were colleagues from many disciplines (business, tourism, conservation, archaeology, etc.):  the British School of Rome, most particularly, the Herculaneum Conservation Project, ICCROM (headquarted in Rome), World Monuments Fund, and other individuals, such as Jessica Stewart (Context Rome), Laurie Rush (Dpt. of Defense) who presented at our last year’s Unlisted Conference.

I’ll post a video of our presentation in the coming week!

Mad for Caligula

•November 24, 2011 • 4 Comments

Time for a look at the 12 Caesars again– one in particular– Caligula, though it’s hard to beat Suetonius’ account and Michael Graves’.  Part of the fascination with this Roman emperor is from previous “classic” films (i.e., Caligula, I Claudius) and part from his somewhat enigmatic (not much remains of his actions in the archaeological record) and outrageous, brief reign (37-41).  I’ve covered Gaius (as he was properly known) before in Ancients Behaving Badly (History Channel- Blink productions), a riff on antiquity’s worst rulers, but there’s so much more to say- and I was glad when NorthSouth Productions contacted me about the two hour special they are producing for History Channel.

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Of course a  good area to start is the Roman Forum– and place dear to my heart- with our past dig– though the true expert on site of the “Domus Gai” (Caligula’s notorious pad) is Henry Hurst of Cambridge University (recently retired) whom I happily ran into a few days ago in Campo de’ Fiori.  Our work (excavation: post aedem Castoris with colleagues from classics departments at Stanford and Oxford) near Hurst’s site did launch AIRC and its eventual study abroad program, and formalized our relationship with the Italian soprintendency and Ministry of Culture.  So we owe a lot to the domicile of Caligula. Our work revealed, in conjunction with Hurst’s study, that the projecting structures under the Domitianic portico of the so-called Augusteum/ library complex did indeed come very close to the back end of the Castors’ temple. Among bonuses to the dig were the remains of 7th century BC housing! Needless to say there are few places in the world with the complexity of the Forum’s stratigraphy!

So, it was a nice production this November- with filming on the Palatine, as well as a full day at Herculaneum, a beautiful setting for discussing antiquity, especially after the conclusion of the Herculaneum Conservation Project.   I was pleased that a fellow local Roman- Katie Parla is also in the production, filming in Pozzuoli. Looks like a great show- due out this spring!

Who’s saving what?

•April 14, 2011 • Leave a Comment

Unlisted Conference Rome, Italy April 15-16, 2011 (AIRC-MiBAC)

In Rome we confront the past on a daily basis.  And I’m not just talking about the obvious– the Colosseum, Forum, Circus Maximus.  We also frequently see a strip of Roman pavement sectioned off from traffic, a chunk of wall sticking out of a more modern structure, a stack of tuff blocks. History is everywhere; and it’s crumbling before our eyes.  Just have a look at the fire wall from the Forum of Augustus or the Servian Wall section on the Aventine.

Rome is one of several UNESCO heritage sites in Italy.  The world heritage list, which also includes national parks, recognizes and highlights the extraordinary achievements of civilizations past, as well as extraordinary natural settings.

Look closely at the list; a huge percentage of sites are, in fact, archaeological in character.  Despite this massive list, only a fraction of the world’s heritage actually is represented.  The bulk of the world’s sites are not listed or attended to by the UNESCO list (and respective countries), or covered by the valiant efforts of great world class organizations such as ICCROM, Getty Conservation, WMF, GHF.  There’s just too much history to preserve, and to make these top 10 lists, only the most unique or most exemplary ones make it (and get the funding).

Given the current financial state of things in the world, funding of cultural heritage and its preservation has been further exacerbated.  When we face financial realities and recognize the needs that countless monuments have in order to attain sustainable preservation (through properly conceived management plans), what will be the future for the countless of un-recognized or under-funded monuments and sites?

The purpose of the two day FIRST ANNUAL UNLISTED CONFERENCE is to address these deficiencies through bringing together a varied group of “stakeholders”, including archaeologists, conservators, architects, entrepreneurs, economists, cinematographers, and those in social media for a new conversation on conservation matters.

We’ll be posting the lectures afterward on our new, revamped website (www.romanculture.org).  If you are in Rome April 15 and 16th, please have a look at the conference program and consider stopping by to participate in the conversation.

Nero’s back for a great exhibition in Rome (or, Elvis is in the building)

•April 12, 2011 • 4 Comments

Colossal head of Nero's mom; Agrippina all but ran the show during Nero's early reign

View of the darkened Curia, filled with important images of Nero and his family

Who was Nero?

Nero (54-68) was one fascinating Roman ruler.  Can you imagine becoming the emperor when still a teenager, after your mother poisoned your stepfather!?!  It’s a predicament that I don’t think that they cover in such outrageous dramas as Gossip Girl and True Blood.  Though, never fear, parts of the rest of his adulthood were a mess and spiraled down to great depths. And even after his suicide in AD 68, he remained very popular, with many ‘sightings” of this dramatic ruler — think Elvis of the Ancient World.  Just take a look at his portraiture throughout his life. In his teenage years, he had his  hair combed to appear as a Juli0-Claudian successor (as Claudius’ stepson successor), while in adult-age, he flaunted an exuberant style- wavy hair and fuller face, long sideburns, dare I say lamb chops a la “70s” Elvis??

Historically, he’s blamed for the great fire of 64 even though he was out of town and his newly built palace on the Palatine, known as the Domus Transitoria, was one of the first things to be torched.  He’s also notorious for putting Christians on the map (and in the arena).  Notwithstanding these actions, Nero rebuilt Rome in a modern fashion after three-quarters of the city was destroyed.  He was in many ways an innovator and fair administrator, though his megalomania did grow over time , as did his appetite for excess, as he “matured”.

The Nero Exhibition

The Nero show  appears in all three venues of the Forum, Palatine, and Colosseum.  I just checked it out with many academic colleagues yesterday afternoon.  It’s a scary sight to have so many academics and superintendents walking through the forum; we’re all lost in catching up and looking around at the new exhibition.  I did catch up with German colleagues who are studying the Basilica Julia; casually met an Altemps (delightful!) I also caught an earful from a dear colleague at the Medieval museum in EUR because during her recent trip to Boston I had forgotten to introduce her to some colleagues there! (Pazienza!)

Here’s why I think the show will be a great success:

  • Antiquities:  the showcased pieces are quite good– from the variety of portraits of Nero in the darkened Curia w/ quotes and the ancient sources  (from Suetonius and Tacitus) projected on the inner wall to the modern paintings of scenes from Nero’s life line the walls.
  • Videos:  the round “Temple of Romulus”  features video scenes from a variety of movies about Nero– movies from international directors of the 1950s and 60s to present. It’s light, it’s fun, and I am willing to be it will engage a lot of visitors, as they to expect more and more visualizations of the past.
  • On the Palatine,  two structures attributed to Nero are highlighted.   The Domus Transitoria (most important – though inaccessible area is located under Domitian’s Coenatio Iovis dining room) has a famed cryptoporticus full of antiquities.  Sections from Domus Tiberiana are finally visible from the Farnese Gardens (though below lurk recent excavation with corridors where I had a chance to film in Ancients Behaving Badly – Caligula).
  • Colosseum: the grand finale has a pretty impressive collection and referral to the transformation of the space from Domus Aurea to Colosseum.
  • Bonus-  images of Nero will be projected every night on the back of the Curia from the Via Fori Imperiali street for the duration of the exhibition. (Hope the neighbors won’t mind the light show!)

Conservation of Nero’s legacy

Noticeably, the famed Domus Aurea is not part of the exhibit- but I think a bit a white elephant in the room.  The recent collapse of some walls is still fresh in the world’s memory.  The only way to fix the situation there is to excavate the entire site from the top (revealing the upper floors already documented).  Only in this way can the superintendency address the water infiltration issues that continue to lead to internal wall collapses.  With the recent surge in investment and sponsorship I have no doubts that such activities already are in the works.

 
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