Nero’s back for a great exhibition in Rome (or, Elvis is in the building)

Colos­sal head of Nero’s mom; Agrip­pina all but ran the show dur­ing Nero’s early reign

View of the dark­ened Curia, filled with impor­tant images of Nero and his family

Who was Nero?

Nero (54–68) was one fas­ci­nat­ing Roman ruler.  Can you imag­ine becom­ing the emperor when still a teenager, after your mother poi­soned your step­fa­ther!?!  It’s a predica­ment that I don’t think that they cover in such out­ra­geous dra­mas as Gos­sip Girl and True Blood.  Though, never fear, parts of the rest of his adult­hood were a mess and spi­raled down to great depths. And even after his sui­cide in AD 68, he remained very pop­u­lar, with many ‘sight­ings” of this dra­matic ruler — think Elvis of the Ancient World.  Just take a look at his por­trai­ture through­out his life. In his teenage years, he had his  hair combed to appear as a Juli0-Claudian suc­ces­sor (as Claudius’ step­son suc­ces­sor), while in adult-age, he flaunted an exu­ber­ant style– wavy hair and fuller face, long side­burns, dare I say lamb chops a la “70s” Elvis??

His­tor­i­cally, he’s blamed for the great fire of 64 even though he was out of town and his newly built palace on the Pala­tine, known as the Domus Tran­si­to­ria, was one of the first things to be torched.  He’s also noto­ri­ous for putting Chris­tians on the map (and in the arena).  Notwith­stand­ing these actions, Nero rebuilt Rome in a mod­ern fash­ion after three-quarters of the city was destroyed.  He was in many ways an inno­va­tor and fair admin­is­tra­tor, though his mega­lo­ma­nia did grow over time , as did his appetite for excess, as he “matured”.

The Nero Exhibition

The Nero show  appears in all three venues of the Forum, Pala­tine, and Colos­seum.  I just checked it out with many aca­d­e­mic col­leagues yes­ter­day after­noon.  It’s a scary sight to have so many aca­d­e­mics and super­in­ten­dents walk­ing through the forum; we’re all lost in catch­ing up and look­ing around at the new exhi­bi­tion.  I did catch up with Ger­man col­leagues who are study­ing the Basil­ica Julia; casu­ally met an Altemps (delight­ful!) I also caught an ear­ful from a dear col­league at the Medieval museum in EUR because dur­ing her recent trip to Boston I had for­got­ten to intro­duce her to some col­leagues there! (Pazienza!)

Here’s why I think the show will be a great success:

  • Antiq­ui­ties:  the show­cased pieces are quite good– from the vari­ety of por­traits of Nero in the dark­ened Curia w/ quotes and the ancient sources  (from Sue­to­nius and Tac­i­tus) pro­jected on the inner wall to the mod­ern paint­ings of scenes from Nero’s life line the walls.
  • Videos:  the round “Tem­ple of Romu­lus”  fea­tures video scenes from a vari­ety of movies about Nero– movies from inter­na­tional direc­tors of the 1950s and 60s to present. It’s light, it’s fun, and I am will­ing to be it will engage a lot of vis­i­tors, as they to expect more and more visu­al­iza­tions of the past.
  • On the Pala­tine,  two struc­tures attrib­uted to Nero are high­lighted.   The Domus Tran­si­to­ria (most impor­tant — though inac­ces­si­ble area is located under Domitian’s Coena­tio Iovis din­ing room) has a famed cryp­to­por­ti­cus full of antiq­ui­ties.  Sec­tions from Domus Tiberi­ana are finally vis­i­ble from the Far­nese Gar­dens (though below lurk recent exca­va­tion with cor­ri­dors where I had a chance to film in Ancients Behav­ing Badly — Caligula).
  • Colos­seum: the grand finale has a pretty impres­sive col­lec­tion and refer­ral to the trans­for­ma­tion of the space from Domus Aurea to Colosseum.
  • Bonus-  images of Nero will be pro­jected every night on the back of the Curia from the Via Fori Impe­ri­ali street for the dura­tion of the exhi­bi­tion. (Hope the neigh­bors won’t mind the light show!)

Con­ser­va­tion of Nero’s legacy

Notice­ably, the famed Domus Aurea is not part of the exhibit– but I think a bit a white ele­phant in the room.  The recent col­lapse of some walls is still fresh in the world’s mem­ory.  The only way to fix the sit­u­a­tion there is to exca­vate the entire site from the top (reveal­ing the upper floors already doc­u­mented).  Only in this way can the super­in­ten­dency address the water infil­tra­tion issues that con­tinue to lead to inter­nal wall col­lapses.  With the recent surge in invest­ment and spon­sor­ship I have no doubts that such activ­i­ties already are in the works.

Discussion5 Comments Category Archaeology, Conservation, Documentaries, Excavation, Rome, Sponsorship

5 Responses to Nero’s back for a great exhibition in Rome (or, Elvis is in the building)

  1. very inter­est­ing sum­mary, con­grat­u­la­tions. If you have the time, check my web­site about the roman her­itage.
    regards
    Jesús

  2. Thank you. Very excit­ing devel­op­ment. I am a real fun of Nero so as Elvis!
    Shame not Domus Aureus included.
    Already book­ing flight to Rome.
    Just won­der if any prob­lems with tick­ets or one should just pur­chase the ticket to Forum Romanum and Palatine?

  3. For a video lec­ture on ” Noto­ri­ous Nero and His Amaz­ing Archi­tec­tural Legacy”, by D. Kleiner see: http://www.youtube.com/watch?v=0lbooc2xAZk&list=FLW1aPKK3wsBRHeJty5QzURg&index=2&feature=plpp_video

    Joe Geranio
    Julio Clau­dian Icono­graphic Association

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